Baby Review: An Astute Portrait of LGBTQ+ Brazilian Survivors Adrift in the System

Capturing the city's relentless energy and dynamic spirit of São Paulo, Marcelo Caetano’s unflinching drama focuses on those who inhabit the outskirts of an ever-changing metropolis. Fresh out of juvenile prison, 18-year-old Wellington (João Pedro Mariano) stands at a pivotal juncture; abandoned by his parents, the wide-eyed young man discovers refuge in the arms of others.

On an late-night excursion with his boisterous group of gay and non-binary friends, Wellington crosses paths with Ronaldo (actor Ricardo Teodoro), a strapping, magnetic hustler over double his age. Bathed in the flickering glow of a XXX cinema, their introductory rendezvous is physical and passionate, with an hint of risk. Ronaldo promptly ushers Wellington to the shadowy world of prostitution and selling drugs.

A Portrait of Empathy Instead of Sensationalism

The director portrays Wellington’s new life of crime with tender empathy instead of as a melodramatic morality play. Now adopting the moniker Baby, he approaches his transactional encounters with cocky bravado and poignant gullibility. To his clients, Wellington provides not just his youth and his body, but also moments of care.

In the feverish excitement of São Paulo, overflowing with busy lanes and colourful shopfronts, there’s a persistent isolation, as rootless people hold fast to one another for fleeting joy.

"The city might be fraught with peril, yet they are where they can discover chosen kin, too."

A Complex Relationship of Affection and Power

Ronaldo is simultaneously a partner and a guardian-like mentor to Wellington, but their bond is sabotaged by possessiveness and financial instability. Dangers posed by dubious individuals in the underworld pale in comparison to the fear of government monitoring and jail time, represented by the looming presence of police officers making their rounds.

Baby is especially potent as a perceptive study of the disenfranchised individuals who have slipped through the gaps the established structure. The film stands as a heartfelt look into survival, found community, and the search for identity within a unforgiving urban landscape.

Christine Jensen
Christine Jensen

Eleanor is a freelance journalist and culture critic based in London, covering art, design, and independent creators across the UK.